In The Echo of Being, Lucas van Woerkum weaves excerpts from Mahler’s Second, Fourth, Eighth, Ninth, and Tenth symphonies into a cinematic narrative about Gustav and Alma Mahler and their daughter Maria. The lead roles are played by Amira Casar (Call Me by Your Name) and Greg Wise (The Crown). The music is orchestrated by composer Thomas Beijer and performed live by the New European Ensemble.

The film explores the dying process of Maria through the eyes of her three family members. Their pain and loss, but above all their love for nature, life, and the unknown, take center stage. Maria’s journey to the afterlife is visualized through fractal animations based on the musical structure. Van Woerkum synchronizes the film live from within the orchestra, creating a unique symbiosis of music and image.

Performers
Musicians: New European Ensemble
Director: Lucas van Woerkum

During the Mahler Festival 2025, the Mahler Foundation presents a special concert centered around the core themes of youth, nature, and modernity — values cherished by Gustav Mahler and still deeply relevant today.

Conductor John Warner leads the New European Ensemble in his new chamber arrangement of Mahler’s Symphony No. 4, highlighting the individual voices within the orchestra for an intimate and contemporary interpretation. The concert also features the world premiere of “The Mosaique of the Air” by composer Sebastian Black, a piece that explores Mahlerian themes through the lens of today’s chaotic world.

Performers:

New European Ensemble
John Warner – conductor
Keren Motseri – soprano

Program:

Sebastian Black – The Mosaique of the Aire,
Commissioned by William L. and Pamela S. Richter, Santa Cruz, California, for the Mahler Foundation
(World Premiere)

Mahler – Symfonie nr. 4 in G (arr. J. Warner)

A unique concert performance with readings from the novels Spring, Summer, Autumn and Winter by Ali Smith, one of the greatest Scottish authors of our time. Every year, Smith wrote a new novel, highlighting contemporary themes such as ecology, migration, Brexit and more. NEuE has commissioned four female composers to create new ensemble works inspired by the novels. This unique mix of music and literature is presented in collaboration with the National Theater, where a matching theater performance will premiere with director Eric de Vroedt.

Programma

Kate Moore – Autumn (world premiere)
Anna Thorvaldsdottir – Spectra
Alice Yeung – Winter (world premiere)
Peter Maxwell Davies – A Sad Paven for These Distracted Tymes v
Seung Won Oh – In Spring (world premiere)
Kinan Azmeh – On Solitude
Sara Zamboni – Summer (world premiere)

In Otemba – Daring Women, Cornelia steps out of the painting and engages in a conversation with the restorer about colonial relations, the female perspective, and autonomy.

The restoration of the 17th-century painting depicting a colonial scene culminates in a nighttime encounter between the Indonesian restorer and the woman portrayed: Cornelia van Nijenrode, a Japanese-Dutch woman and the wife of Pieter Cnoll, a wealthy senior merchant in Batavia. After his death, she remarries and becomes the first woman in the Netherlands to file a lawsuit for financial self-determination when seeking to divorce her second husband.

The libretto of Otemba – Daring Women is written by Janine Brogt, and the performance is directed by Jan van den Berg. The lead roles are performed by soloists Ryoko Aoki, Bernadeta Astari, and Michael Wilmering. Misato Mochizuki was previously featured at the Holland Festival with L’heure bleue in 2013.

“Otemba” (untamable) is not only the title of the performance but also one of the more than 160 words that Japanese has borrowed from Dutch. It refers to rebellious women who refuse to conform and choose their own path.

In Otemba, characters from different eras come together, advocating for a new perspective on history. Restoration is often described as “management of change,” and this restoration offers a renewed, decolonizing view of the past. Otemba comes to life.

Compositie: Misato Mochizuki
Libretto: Janine Brogt
Dirigent: Kanako Abe
Ensemble: New European Ensemble
Artistieke leiding & regie: Jan van den BergCornelia van Nijenrode: Ryoko Aoki
Kirana Diah: Bernadeta Astari
Miro: Michael Wilmering
Lichtontwerp: Gé Wegman
Kostuums: Lisa Konno

VLAD MAISTOROVICI  conductor, violin

Vlad Maistorovici Metamorphosis  after M. C. Escher
Michel van der Aa Shades of Red
Dan Dediu Hyperkardia II Op. 139
Mark-Anthony Turnage Romanian Rhapsody
George Enescu Chamber Symphony for 12 Solo Instruments Op. 33

Meriç Artaç is composing a brand-new Bosch Requiem commissioned by November Music for NEuE and Capella Amsterdam. It will premiere on November 7 at Theater aan de Parade, Den Bosch, and during Opera Forward 2026.

With his iconic composition “4’33”,” John Cage invited listeners in 1952 to attentively listen to their surroundings and the subtle sounds of their own heartbeat and breathing. Since then, new music has consistently challenged us to listen to the world anew. Swiss composer Jürg Frey creates works that explore the boundaries of the audible. His compositions utilize sparse sound materials and silences, making silence the subject of the music. The result is an invitation to reflection and a renewed experience of sound.

Program

John Cage – Seven

John Cage – In a Landscape

John Cage – 4’33

Jürg Frey – world premiere (commissioned by NEuE)

Watch the ensemble working with Jürg Frey: